Castlefield Gallery Associates Spotlight: Matthew Wood

Posted on 5 October 2024

This month we have asked Matthew Wood to contribute to our Castlefield Gallery Associates Spotlight series, in which current Castlefield Gallery Associates share their thoughts on what the programme offers and how it has been useful for them.

Can you tell us a little bit about your practice?

I’m a visual artist, probably best known for my detailed pencil drawings of people stacked on each other shoulders. They are a monotonous pursuit of perfection, which I then make slightly off. And although my practice takes various other forms – filmmaking, painting, sculpture – I always find myself coming back to drawing, as it is the most immediate, the most fundamental and the most elemental medium.

I look outwards a lot; I collect things. Things I see, things I overhear, moments that often go unnoticed. I’m drawn to humour, the absurd, comedy and tragedy, the ugly and the beautiful. I’m fascinated by ritual, behaviours and the way we treat each other, the self, spectacle, certainty, the crowd and the angry mob, the flawed paradoxes within our humanity. Our capacity for such compassion and empathy; for such selfishness, greed and chaos.

I’m always learning and unlearning. Fascinated with detail, I would typically seek to control every detail within my work, especially within my drawing, but I’m constantly trying to surrender more; to be more instinctual, less precious, making mistakes and letting those mistakes influence the work. I find the accidents are usually more interesting, something bigger than me influencing the work. The process is always a trial: order and disorder.

I dabble in curating, most recently producing ‘Seeing Things’, a contemporary art exhibition in an impressive statement space at The Edge Wigan, funded by Arts Council England. I’m really interested in how and where we experience and engage with art. Seeking opportunities to make and show work in interesting places outside of the typical ‘white cubes’: public art in corridors, bars, restaurants, warehouses, empty, unused and unexplored spaces.

How did you hear about Castlefield Gallery Associates and why did you want to join?

I joined Castlefield Gallery Associates initially because of the New Art Spaces. I returned to the North after living and working in London and was invited to the studios at New Art Spaces: Wigan. I’m always trying to break my natural and at that time I was looking to move my practice into much larger works, and play with new materials and techniques. The one thing New Art Spaces can offer, above a typical studio offering, is space… lots of space! As with most artists, my natural is to retreat into my practice, but New Art Spaces forced me into building community and being around other artists. The conversations this allows makes my practice richer.

What are you looking forward to most about your coming year’s membership?

I’ve always appreciated the connection to the city being an Associate brings and the rich program of events, insight and community because of this. And also the Associates Show, where Associates have the opportunity to submit proposals for an exhibition that will form part of the gallery’s programme. The Fred Aldous discount is pretty handy too.

Images

Banner:

  • Matthew Wood, I Know A Way Out Of Hell, 2024.

From left to right, top to bottom:

  • Matthew Wood, Vol-Au-Vent, 2024.
  • Matthew Wood, Split, 2024.
  • Matthew Wood.
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