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EXHIBITION & EVENTS ARCHIVE
Daphne Wright is a Research Fellow at the Fine Art Department of Manchester Metropolitan University, a post funded by the Henry Moore Foundation. In 1993, Daphne Wright was commissioned to produce a work for the Diaspora Project. This ongoing initiative, funded by the Irish Arts Council, selects Irish artists living abroad to produce works on the theme of emigration. This is the first showing of ‘Domestic Shrubbery’ in England.
Vibrant scenes of contemporary urban life are portrayed in Andrew Parson’s new paintings. Witty and mundane stories unravel against a cityscape backdrop of high-rise flats and shopping centres.
“Cities ought to be places of culture, civilised and enlightened, but also lively and diverse, even fun. Manchester cannot afford not to invest in culture, in street life, and in the public realm. Investing in culture is investing in urban life”. (Manchester First, Manchester City Council Arts and Cultural Strategy; Urban Cultures 1992.)
As part of 10th Birthday Celebrations and City of Drama ’94, Castlefield Gallery brings sculpture by Zadok Ben-David to Manchester for the first time. The exhibition combines pieces last seen in Germany and Los Angeles with exciting new work that have not been shown before.
The rooftops of Ardwick are not everyone’s idea of an inspiring subject for a work of art. However, with the help of a little sunshine and a painter’s touch, this unpromising material is transformed into vivid celebration of colour and light in Liam Spencer’s painterly interpretations of 90’s Manchester.
Paintings from the 1980’s to 1994 by one of the UK’s foremost international artists explore the primary sensations of colour and light in an ever changing natural world in this, Bridget Riley’s first solo exhibition in the North West for twenty years.
As a painter, writer, lecturer and exhibition organiser, Timothy Hyman has done much over the last decade to revive interest in narrative painting.
Sharon Hall’s paintings set the viewer a visual challenge. They combine abstraction with meticulously drawn images, which often layered over one another are set against fields of shimmering colour.
Although there have been some uses of the computer in the field of art for a good three decades now, it is only within the last few years that a more widespread curiosity has led to a growing exploitation of creative potential.
The forthcoming exhibition at the Castlefield Gallery offers an opportunity to compare the old with the new.